Paul Nobody's S*x Cult Talk with CaperBelleASMRAudios💘

Transcript

That's right, you're listening to Paul Nobody's Sex Cult Talk. With today's guest, Kaper Bell ASMR Audios. Hi and welcome to Paul Nobody's Sex Cult Talk, the podcast interview program where I bring on different VAs, script writers, content creators in the erotic not safe for work space.

And today I am maybe fanboying a little bit, I never admit that. But we do have the one, the only Kaper Bell ASMR Audios, Kaper, oh my god, hi. Hi, how are you? Like I said, I might be over here inner squeeing a little bit.

I haven't even whispered in your ear yet. Oh, you have, you just don't know. Maybe more than 20 times.

How are you? I'm really good. Thank you.

Really happy to be here talking to you. I get the best job ever. So I want to be for those of you that are maybe don't know and you're missing out big time, we really, really are.

You are on Twitter at KaperBellVA, you're on Instagram at KaperBellASMRAudios, you're on YouTube on KaperBellAudios, you are on Reddit at KaperBellASMRAudios, you're on Ocleo at KaperBellAudios, and of course you're on Throne, KaperBellAudios wishlist, and you have your air table as well or your dock to your commission request, excuse me. Yes. Do I have that all right? Did I get everything? You are like every, like you are, you are the working person, a content creator.

Did I get all the stuff that you're in? I think so. Perfect.

Perfect. Are you okay over there? I know I warn people when they come on the show, please bring a couple extra pairs of panties, maybe don't wear pants or panties and just lay down a towel or three, so you're totally allowed to, you know, it gets a little steamy in here, but Kaper, you are prolific.

You really are. And no, no, the thanks and the honor is all mine for you taking the time to be here. And I know some people that maybe aren't aware and will be aware of what a big deal this is.

We will talk about that in a little while. Oh, I'm so honest. So I'm just honest to a fault.

It's not about being sweet. It's about telling the truth. Thank you.

Again, you are somewhat of a, I think you've been an inspiration to quite a few people out there in the content space. I'm not being facetious when I say that. How did you find yourself getting into the not safe for work content creation? How did Kaper Bell come into our beautiful ears? Very good question.

I'm an artist on the flip side. I was already making videos and audios for time lapse of paintings and stuff. I started to get more creative with those over the years.

You know, I'll show in the paintings and telling stories with them and stuff, but like any creative, you start to get the itch, it's like, what can I do now? I mean, with my painting, you know, most of it was safer work, like all the public stuff. I did have not safer work, portraits and stuff, and, you know, so it's not like I was a stranger to it all, but you want to do more.

You just want to create more and more. You always get this itch and pull and a draw. Plus, I'm very instinctive and my instincts were really kicking in that I needed to go this route and it was talking to another VA friend of mine.

I didn't have a clue where to start and it was him that said, get on GWA. I was like, what's GWA? I was so oblivious to it.

And that was it basically. So I was there making audios, having fun the first one that did pretty well considering I was brand new and just kicked off from there and I'm just enjoying the ride. I think we're all enjoying the ride, honestly.

There's some interesting dynamics sometimes with people when they get into this space. The one and only Stephen King, where he got his start doing erotic writings and moved into the safer work and then there's the vice versa, people who start in the safer work space and move in to the erotica space. Where did you find the confidence to be able, because I think sometimes there's the concern or the stigma or the, oh my God, the stank, as it were, when it comes to doing erotica and kind of moving in.

Where did you find the confidence to be able to make that first post in this community and how did you find that? I know this is going to sound really weird and it's going to be a pretty common answer to a lot. It was really instincts.

It was just instincts and this pull and this feeling like, almost like a reason why I needed to go this route. And I trust that instinct. I know it well enough to know not to ignore it.

So no matter how nervous I am, I know there's nothing to fear but fear itself and it's just, that's my main way of thinking. So if I do get a feeling to do something, if I do get a strong impulse that this is what I need to be doing, even if I don't understand why yet, I will jump in feet first. I was born feet first and it's kind of the story of my life ever since.

So, yeah, it's just fun. Something feels right. That's it.

And nerves can, you know, they can be there and hang around but I'll ignore nerves. I know the difference. So when you got the instinct to do it, was it an immediate thing? Did you create something first and then sit on it? Was it just like, I'm running, I'm going? What was that process from the creation to the presenting? The first thing I did, I knew exactly what I wanted to do.

I knew I wanted it to be binaural. I had this, like these kind of images, ideas in my head, like of the finished product of what I wanted it to sound like already. And I had to figure out a way to do that.

So I ended up having to make my own mic to get the binaural effect. And once I'd done that, that's when it really started to kick off. I knew straight away it was the right thing to do.

So I was off and running with it, like immediately. I'd just go with the flow the whole time, whatever feels right, I'd go with. So a couple of questions from there.

First of all, because we will, I'm trying to think of the order I want to do it in, but I'm going to do it this way. When you came into the space and you said, I want to do binaural, that is such a niche way and form of doing it. What got you into the binaural and knowing that you had to do that? Well, I love ASMR anyway.

That's something that I've loved like all my life, even without the things in the earphones and all that. So of course, years ago, ASMR came around that I was listening to and loved it. Absolutely loved it.

And so it was a big part of, I thought, what can I do with that to make things even more realistic and 3D and surround sound? And what's the term for it now? The new term for it? Spatial, spatial audio.

And so, yeah, I just knew what I wanted to do from the start. And just to create something that was going to be able to help people to switch off, relax, literally feel like they're somewhere else for a while. You know, because just listening to a story or watching a film, it's not the same.

You're still very aware of where you are. Whereas, when you can do it like this and make it really 3D and binaural, when they close their eyes and just listen, it can literally be like you're somewhere else. And so I just really wanted to do that for people.

I just, most people listen to them because they're wanting to escape something or there's a need they have or, do you know what I mean? And it's something everyone should be able to enjoy, you know, and not be worried about, not feel guilty about. And just, if you need to feel a certain way for a while, we have the bodies that allow us to feel that way when we're on our own, you know, make the most of it.

Don't feel bad about it. That's what it's there for, so that you can not be alone and you can still feel good. So, if I can add that little something to it, whether it's a very realistic situation or a completely fantasy situation, oh, I'm up for all of them.

I'll just play around and see what people like and what people don't like. I'll just play around and see what people like and go with the flow. Because I love it all.

I love all of it, you know. Your love of what you do is very, excuse me, very, very apparent. Oh, thank you.

And you're very, very good at what you're doing. You can tell that in what you put out there. There's a lot of you putting yourself into there.

Thank you. Binaural has its roots, I think. I think what people don't realize has the roots in more hypnotic audio.

It wasn't really a big thing until hypnotic audio. Was that a playground or was that a thing that Kaper was into? Was that something that brought you to that space and understanding that? Because I do get the vibe, and you can tell me I'm wrong, that it's, I mean, I know you're very passionate about it.

But I mean, again, creating your own mic, doing your own things. I feel like that's beyond a layman's, I dabble in this field. And this is more of a, this is my field.

Was hypnosis and hypnotic audio an inspiration to you doing that as well? Yeah, it's definitely something that I love. And I started listening to those because I'm an insomniac.

And so I rarely sleep for more than two hours at a time. If I'm lucky, I get four hours at a time. So I was trying everything at one point just to be able to get some sleep.

And that was one of the ways that were giving me a lot of help to sleep. Because they were so relaxing, because they were hypnotic, because they would help you go off into a deep one. So even if I still only slept for a couple of hours, it actually felt like I had a deep sleep at the same time, which was really helping.

So yeah, it certainly helped me. You know, it's in your head, well, if it can help in that way, can it help this way? Can it help that way? Can what if I do this with it? Well, and it just, it just expands and grows all the time.

You're constantly coming up with new things, new concepts, new stories and new ways. And yeah, it's just, I just go with the flow. If it pops into my head, I'll go with it.

I love it. I love that style. I love that being being guided by your intuition.

I think that's more people. You know, I talk to a lot of people and do a lot of different things. And I think that one of the things that, you know, I tell people, and I think you are one of those people as well.

And you can tell me to fuck off and I'm wrong. But that listening to yourself and that that that voice inside of you is probably one of the most important things you can do in when living your life. Would you agree with that sentiment? Oh, yeah, completely.

Absolutely. I mean, I'm so big on instincts. Every day in my life, you know, I totally trust those over logic every time without fail.

Honestly, if I could teach everyone that there's nothing to fear but fear itself and to learn the difference between instincts and fear. You know, because they are very, very different, even if they feel similar. Instincts are there to guide you and fear is usually something that's taught.

That's wrong. And the same reason I'll tell people, never try anything once. You know, everyone says try everything once, try everything twice.

Because the first time, honestly, the first time, you're always going to be nervous and worried and not sure what's going to happen. And then relieved afterwards or thinking that's fun, whatever. The second time, you know what to expect.

So you're going to enjoy it more for the experience itself. So I'm kind of like that with everything, you know, no wonder I'm busy. I'm doing everything twice.

The real self-realization is kicking in. Everyone's doing shit once, I'm over here doing it twice. God damn it.

No wonder there's so much hours of the day. Good job I don't sleep much. You know, I really want to lean into what you just said there.

Because it's like my grandmammy used to say, you don't become an old whore by saying no. No, it's really important. Because you brought up the point of the first time you're doing it, there's a lot of distractions around it, right?

And then once you start doing it more, it becomes less about the distractions, less about the outward influences, as it were, more about the inward influences, I think is what you're getting to. And I think that's such brilliant insight. Yes, more about the experience itself.

Speaking about brilliant insight, going back to another thing you said earlier, how the fuck does one make their own Ben Aureal fucking mic out of a head? How the fuck? Talk me through.

I mean, because you're going, again, you're going beyond like laymen, like fandom, like, look, I have my fandom and I could tell you about a lot of fucking things. But I'm not soldering and making and putting shit together. The thing around that fucking fandom, right? Like I might paint something I enjoy, but I'm not building the fucking, I'm not 3D printing the motherfucking thing.

And then, you know, putting it all together, hot wiring and then going, OK, now we're going to add this. Now I'm going to get to the fucking painting. OK, so this goes beyond just a dabble or like a thing you're in.

You're fucking all in. Walk me through that, because that's fascinating. Oh my gosh, that was instincts again.

It was like, oh my gosh. One of the things about me, you can probably tell by now, is I'm a great believer in where there's a will, there's a way. Uh-huh.

I'm seeing this. And you must have heard about starving artists. I'm an artist on the flip side.

And you have to be creative. And I have expensive tastes. I have expensive ideas.

Like those mics are really expensive. You know, I can't afford that. So I'm back to square one, which is I want one.

How do I make it? How do I do it? And there's the 3Dio mics with the ears that everyone's probably aware of and seen and heard now.

There's another one that, if I remember right, a long time since I looked at it, I think they made one or someone made one. It was in the shape of a head. And it was supposed to be the most natural sounding binaural 3D sound that you could get.

And that made total sense to me. Obviously, the shape of our heads and faces and what you can hear from where as a result. It just made sense to me.

So I was like, well, how am I going to do this? So first of all, it was what mics do they use in the ears that they use? And it was just researching, trying to find that out.

They just use little, what are they called? Omni-directional mics? Omni, yeah.

Omni mics, yeah. And so I was like, OK, Amazon, let's have a look. There we go.

Omni-directional mics, eight pound each. Great. I'll have two of those.

Oh my God. I mean, they have more expensive ones, obviously, and they're probably better quality. I didn't want to get expensive ones.

A, I couldn't afford it. It was the whole point of making one. B, I didn't want to get more expensive ones because what if I messed it up and I couldn't solder them together?

Then I've completely screwed up two expensive mics. So yeah, we just went with the eight pound ones. This is where the creative came in.

I can't need a head. Polished diamond heads that wigs go on. That'll do.

Let's get a polished diamond head off Amazon, about six pound. That'll do. Oh my, oh my God.

So then I had to put, make holes.