Lady Scarlett's Interview on Paul Nobody's Podcast

Transcript

That's right, you're listening to PaulNobody's Sex Cult Talk, with today's guest, Lady Scarlet Blush. Hi, and welcome to PaulNobody's Sex Cult Talk, the podcast interview program where I bring on different erotic content creators, BA, script writers, artists, just all kinds of just naughty, nasty perverts. And I have one of the more eclectic and honestly, a little intimidating sex perverts out there.

I have the one, the only Lady Scarlet Blush. Lady Scarlet, how are you today? Hey there, I'm doing okay.

I didn't know I was intimidating. My God, that voice. Everyone just, I could just hear the chills going through everyone was like, Oh my God.

Yeah. Uh huh. Sure you didn't.

How are you? I'm doing okay. I'm doing all right.

Things have been a little chaotic, but more or less, I'm fine. With everything that you do, I'm sure that you are. And I appreciate you taking the time and coming on this on my, on my show and let me interview you.

Like, that's just awesome. So, and you guys will find out because Lady Scarlet is on everything. You are on Reddit as Evanescent Bush, Blush, Blush, Blush, Blush, yeah.

Freudian, sorry. No, it's okay. Look, I can, I know you're telling me just real quick.

I, uh, I didn't think about it until after I had made my account and sometimes I read it as Evanescent Bush. I'm not even kidding. Thank God.

You think I was a professional, but I'm not. You're on Twitter, Evanescent Blush. You are on Fansly, Lady Scarlet Blush.

You're on Ocleo, Lady Scarlet Blush. You have your throne, Lady Scarlet Blush. You are on Twitch, Lady Scarlet Blush.

You are on fucking Pornhub, Lady hyphen Scarlet hyphen Blush. You also have a commission doc, you got a cash app for people to tip you and things like that. Did I get everything? I believe so.

Did you say Ocleo? I don't remember. I think I did.

I think I may be in. They'll correct us. Holy hell.

All right. You are, like I said, a powerhouse. You're everywhere.

I'm going to ask you the question that I ask everyone when they first come in, which is, how did you find yourself in the not safe for work erotic content space? Yeah. So I was going back to college.

I think it was a year and a half ago. So I was either 28 or 29. Okay.

I think it was right after my birthday. So I just turned 29. No, I don't know.

28 or 29. Anyway. I had gone back to college and I was, it's a little embarrassing to admit, but I don't mind saying it.

It's fine. God. I had a crush on one of my professors and obviously I couldn't do anything about it.

So I was going through Reddit looking at like professor student stories or whatever that I could read to kind of, you know, catharsis my way through it. And that's when I came across an audio for one and I was like, oh, oh yeah, that's a thing. I mean, I, I don't usually like the sound in porn, but like, I wonder if it's better.

Let's see. So I clicked on it and by sheer coincidence, uh, this person, uh, just so happened to have an accent extremely similar to the professor I had a crush on and it blew my mind. And so I, uh, I just started listening and listening and listening.

And then like a week or two later, I thought, you know, I've always wanted to voice act, but I've been really bad about like practicing. This is probably a good opportunity to do that. I should.

So I did. Wow. Wow.

Wow. That's a crazy story. Uh, yeah, you know, I, I, I can relate, um, uh, on having a crush on, uh, professors and teachers.

So you're allowed. Um, Oh, I told, I told my professor that, um, uh, that I do audio work. I didn't tell him any other stuff about it though.

Oh my gosh. I wonder if he ever listened to your stuff. That'd be an interesting, interesting find out.

Um, so I asked this too, because there's a lot of aspiring, um, future content creators that listen to these interviews and people who are just kind of getting started in their, um, you know, their, basically their careers in this space. What was it like from listening to it and then making that leap to make it, well, how long was, I mean, you mentioned you went on that, but how long was that journey and how did you find the confidence to be able to, first of all, make the, I mean, we understand you made the decision, but to make it and then post it. Oh, there was about two weeks between when I found that audio and when I started recording my own.

Um, Wow. That quick. I, it just, it seemed like something that really fit something that I would have fun with and would really enjoy.

And, and like I said before, I always wanted to do voice acting. So I had a little microphone, but I was really bad about practicing. Um, and you know, I don't know.

I thought, let's, let's give it a go. My first audio, I actually don't know if my first audio was a ramble fap or an improv, but, uh, yeah, my first audio or second audio was an improv actually. And I had people saying, Whoa, that that's like your first audio.

What, what the hell? Okay. So let's talk about that.

Cause I do think one of the things that throws people off when they first get on and they start, you know, thinking that they're going to do this is they don't have the microphone. They don't have the audio editing. They don't have kind of, and they go, I just, I just could never do it.

What was that like for you again? You said you kind of had a microphone, but you didn't really use it, but what was it like as you said, kind of getting in there and doing the audio editing and making the content and how does that, how has that changed for you? How has that growth been? Sure.

So the microphone that I had at the time was like a portable H1 thing. And so it did like room recording really well of like the whole room, but it, it wasn't good for voiceover work. So, but I used it, I used it for like several months and it worked just fine.

It wasn't a very expensive thing. It was like 90 bucks or something. And that, that got me started.

And then once I realized that I enjoyed doing it, that's when I did a little upgrade. I bought a used mic and all that stuff. But overall, I think if I could just insert my opinion here, I think as long as you are putting a lot of effort and care and attention into what you're doing, if you don't have the best equipment, it's okay.

I mean, I still edit on audacity, you know, and audacity is free. So and, and yeah, absolutely. I mean, please, by all means, you're, you're being absolutely polite.

This is your time. This is absolutely your interview, my lady, you can interject any fucking opinion you want. Um, right.

Well, I'm, I'm a perfectionist. That doesn't mean everyone has to be, you just, you know, do you do what you love to do? So as things have gone on and you, like I said, you, so you started on Reddit doing it and now you've made jumps to other avenues.

How has that journey been? Like, what, what can we see from like Reddit to the Ocleo, to the Fansly, um, uh, to the Pornhub? Um, kind of, you know, how did you, I guess my question is, how was that journey, um, in your growth of your, of your erotic career?

Uh, so when I was, I started out just doing Reddit. Uh, and I want to say maybe six months in ish when I started, um, when I started to get near a thousand followers on Reddit, I put out a, uh, follower survey, um, and one of the questions on the survey was if I were to do paid content, would you be interested in it? What kind of stuff would you like to see on it? And I, I mean, I only had like a small percentage of people saying that they would be interested in it, but I thought, you know, uh, let's go ahead and get that started.

I it's, it's a helpful avenue for me to fund this hobby and not just that, but it's not like I make a lot of money, so let's see what we can do. Um, and so I started with a Patreon, uh, but I quickly became a little frustrated with Patreon because I, it's a little iffy on the not safe for work content there. And that's when, um, like I had one thing that they made me take down and then I was like, you know what?

We're going to go to OnlyFans or Fansly and I chose Fansly cause it's a little more sex worker friendly. Um, yeah, but, uh, but that's, so I made the switch. And then once I started doing Fansly, I was like, yeah, I'm already here.

Let's go everywhere else too. That's fucking awesome. I love the confidence and kind of the, the movement in there.

You've done a lot of things and you have an audio catalog. You have a script catalog. I like to ask this question a lot.

Do you consider yourself a voice actor first? You consider yourself a script writer first. What does that dynamic or mix look like for Lady Scarlet? Yeah.

So in my real life, I am a writer, not like a really well published one, so don't worry about that. You're not going to find me anywhere. Um, but in my real life, I'm a writer, but, uh, so that's what I enjoy doing, but I also enjoy doing voice work.

And when it comes to this work specifically, the Not Safe for Work world, I, I would say that I'm probably a voice actor first and a writer second. This is fantastic because I, you know, people, I, and I'm going to pull the curtains back a little bit, but I really want to highlight this because this is a fascinating thing. Because people ask me sometimes like, well, I'm a VA.

Why would you ask if I'm a writer? But you just nailed the reason why I do, because you have this writing background, you have this thing. How has that approach of having that kind of skillset affected and helped you, um, as a voice actor? Uh, well, for one, I think it's made it that in combination with a little bit of, uh, just a very tiny bit of a theater background.

So both as a, someone who writes a lot and who has a tiny bit of a theater background made me a little more confident in getting started with things like, uh, like improvisations, for instance. Because I, you know, it, it, it's something that I was kind of used to. I was used to coming up with scenarios and dialogue and stuff.

And I was like, I mean, I just got to do it while I'm sitting there and not write it down. Right. Um, and then, um.

Outside of, I would say it also, it also makes it so that I have a million different audio ideas and I get absolutely none of them done. I think that's, that's the curse of the, of the VA, isn't it? I mean, I, I, I think at this point I have more saved and wanting to get to an ideas I want to do then.

Um, yeah. Uh-huh. So I can, I can empathize with that.

My lady, there is a question that I ask a lot. Um, and I get the feeling that lady is, is something that, um, you kind of would prefer to be called and the dominant, it's just, it screams to me. And I also get, again, that power dynamic, that, uh, switchy vibe from you.

I bring this up a lot and I can already hear the audience going here. He goes to this question, but I like to ask it because I think it's fascinating conversation. Dominance is not the same as sadism.

Masochism is not the same as submission, but they all kind of play together and blend into this messy mix. Where does lady Scarlet blush play in that space? Well, uh, you did, you, you, you pinned me right as switchy.

I'm definitely more of a switchy kind of person, I guess. So yeah, I'm a, I'm a little bit switchier. You clocked that.

And I think that my, uh, my sort of dominant side is a, it comes from a different place than my submissive side. In submission, I am a little bit more of a masochist. I wouldn't say entirely, you know, I got my limits, but everyone has them.

It's about the communication beforehand. Um, and I just, I enjoy that as a part of the release, um, when I'm in that submissive space, uh, but when I'm dominant, I sort of like taking care of people. Uh, I like, I like ensuring that, that people feel safe and are having fun.

And so I think my, my two different sides kind of come from two different places. If I may be so bold with you, I get a vibe that in a more dominant space, you're someone that kind of analyzes your submissive and kind of pinpoints the things with them. And again, it's not true sadism, but it's, there's a slight sadist, uh, streak there, as it were, where I think you use people, you would use people's own weaknesses against them, exploit it and be a boundary pusher.

Am I right in that regards of your style of domination? I think you're close. I definitely maintain firmly in people's boundaries.

I don't like to push those too hard, but I do like to play with the boundaries. I like to, I like to work my way up to it without going over. Um, and I, I like to do that because I like, I, I know I behave in a way that I know that my, my partner feels safe and comfortable with me.

And because of that, we're able to explore and try different things. Um, and so, so ultimately it is entirely based on their boundaries, but it's also more exploration too. What do you feel comfortable exploring with me? All right.

Yeah. I, yeah, I kind of get that now from the submissive space you mentioned, it's not quite, not quite masochism. Now masochism can come in a lot of different forms.

It can come in emotional, it can come in physical, it can be a blended mix. Um, Oh, if I'm doing any masochism, it's physical. I can't handle emotional masochism.

Yeah. I prefer emotional security. Yeah, I understand that.

I totally get that. Okay. Now, if I may ask, do you have some preferred terms? Again, I've been calling you my lady and I could be completely off.

Um, do you have some terms that you prefer when you're in that dominant space, um, versus the names maybe you'd like to be called when you're in a submissive space? Uh, you know what? Try me.

I don't know. Yeah. When, when I'm doing a script, if there is a name I'm uncomfortable with, I tend to replace, like switch it with my lady, but I, it ultimately is for me a conversation with my partner over what they're interested in and what I'm interested in and, and, you know, the, the place where those two meet.

So I don't have a specific name that I like, although I'm pretty fond of baby girl in a submissive space. I'm not going to lie, but ultimately I think it's, um, it's, it's more about the conversation with my individual partner, the self lady likes what I like to be called good girl. Okay.

And when you look at your approach of script writing versus like writing, writing, that is somewhat of a different skillset. Is it not? It is, but it's something that I took to with relative ease.

I mean, I'm not going to say that I'm like a terrific script writer, but, but I sort of, because I, because I kind of understood how dialogue works, um, I, it's something that I actually do particularly well in writing as dialogue, um, and much better than my plotting. This is, but, um, yeah, so something I do really well in writing as dialogue. So it was relatively easy for me to adapt to the script format because it is dialogue.

And I was like, well, I just need to make sure that all of the information that I need the listener to know is in the dialogue and that is not too overbearing. And outside of that, you know, I, it was a pretty easy transition, I don't know. And I think that's, I mean, again, it is, and I think for you being in dialogue and I, I am gonna, I don't normally admit this, but I'm comfortable admitting it in your interview because you do have that as you brought up the whole theater background.

I really think having a theater background in this space really helps people succeed. It is so similar to being in and doing, uh, theater work. I feel like, and again, as you're writing things and you're, I mean, I'm looking at a lot of things that you fill and there is a lot of like 30 minutes, 27 minutes, you're telling a whole story, almost like a one act play.

Would you agree? Oh yeah, 100%. Sometimes I look at what I did and I'm like, holy shit, I really did that? Yeah.

Yeah. I mean, you have one, Please Make Me a Bimbo, um, that was 45 minutes long. Yeah, that one, that one's a, somebody else wrote it.

It was Ever Distant Utopia wrote it. Yes, he wrote it. And you filled that one, it was 45 minutes.

I filled it immediately too. Wow. That's crazy.

There is, there, there's two I want to ask you about and I, those, those are also filled. Did one by, um, Logos Mancer. Oh yeah.

Which, which is the spy fantasy. Oh yeah, I love that one. Okay.

And then you have, um, another one which, um, was a script filled by, um, Lux Wannapop and Hedonistic Thrill, which is a 1920s historical piece that you did that's 50 minutes long. Uh, Gambler.